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Bessie Smith April 15, — September 26, was an American blues singer. Nicknamed the Empress of the Bluesshe http://hookupsguide.info/free-dating-chat/26462646w-dating-26462646i.php the most popular female blues singer of the s and s. The census indicates that her family reported that Bessie Smith was born in Chattanooga, Tennesseein July The and censuses report three older half-siblings, but later interviews with Smith's family and contemporaries contain no mention of them among her siblings.
This page was last edited on 15 Februaryat With the advent of electrical recording her first electrical recording was "Cake Walking Babies [From Home]", recorded on May 5, the sheer power of her voice was even more evident. Located in the heart of the City of Kawartha Lakes, Ross Memorial Hospital is an active, acute-care community hospital serving more than 80, local residents and seasonal visitors. By the time Broughton returned, about 25 minutes later, Bessie Smith was in shock. Louis Bluesbased on W.
She was the daughter of Laura born Owens and William Smith, a laborer and part-time Baptist preacher he was listed in the census as a "minister of the gospel ", in Moulton, Lawrence County, Alabama. He died while his daughter was too young to remember him. By the time Bessie was nine, her mother and a brother had also died. Her older sister Viola took charge of caring for her siblings.
To earn money for their impoverished household, Smith and her brother Andrew began busking on the streets article source Chattanooga ; she sang and danced, and he accompanied her on the guitar. Their favorite location was in front of the White Elephant Saloon at Thirteenth and Elm streets, in the heart of the city's African-American community.
Inher oldest brother, Clarence, left home, joining a small traveling troupe owned by Moses Stokes.
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Of course, she was only a child. InClarence returned to Chattanooga with the Stokes troupe and arranged an audition for his sister with the managers of the troupe, Lonnie and Cora Fisher. She was hired as a dancer rather than a singer, because the company already included the well-known singer Ma Rainey. Smith eventually moved on to performing in various chorus lines, making the "81" Theater in Atlanta her home base. Smith's recording career began in During the marriage Smith became the highest-paid black entertainer of the day, heading her own shows, which sometimes featured as many as 40 troupers, and touring in her own custom-built railroad car.
Their marriage was stormy with infidelity on both sides, including numerous female lovers for Bessie. Inwhen she learned of his affair with another singer, Gertrude Saunders, Smith ended the relationship, although neither of them sought a divorce.
Smith Black Dude Dating White Memorial Jobs entered a common-law marriage with an old friend, Richard Morgan, who was Lionel Hampton 's uncle. She stayed with him until her death. All contemporary accounts indicate that while Rainey did not teach Smith to sing, she probably helped her develop a stage presence. Byshe had established a reputation in the South and along the East Coast.
Insales of overcopies of "Crazy Blues," Black Dude Dating White Memorial Jobs for Okeh Records by the singer Mamie Smith no relationpointed to a new market.
The recording industry had not directed its product to black people, but the success of the record led to a search for female blues singers. Bessie Smith was signed to Columbia Records in by Frank Walkera talent agent who had seen her perform years earlier.
Her first session for Columbia was on February 15, For most ofher records were issued on Columbia's regular A-series. When the company established a " race records " series, Smith's "Cemetery Blues" September 26, was the first issued. Both sides of her first record, " Downhearted Blues " backed with "Gulf Coast Blues", were hits an earlier recording of "Downhearted Blues" by its co-writer Alberta Hunter had previously been released by Paramount Records. Smith had a strong contralto voice,  which recorded well from her first session, which was conducted when recordings were made acoustically.
With the advent of electrical recording her visit web page electrical recording was "Cake Walking Babies [From Home]", recorded on May 5, the sheer power of her voice was even more evident. She was also able to benefit from the new technology of radio broadcasting, even on stations in the segregated South. For example, after giving a concert for a white-only audience at a theater in Memphis, Tennessee, in Octobershe then performed a late-night concert on station WMC, which was well received by the Black Dude Dating White Memorial Jobs audience.
JohnsonJoe Smithand Charlie Green. Smith's career was cut short by the Great Depression, which nearly put the recording industry out of business, and the advent of "talkies", which spelled the end of vaudeville.
She never stopped performing, however. The days of elaborate vaudeville shows were over, but Smith continued touring and occasionally sang in clubs. Inshe appeared in a Broadway musical, Pansy.
The play was a flop; top critics said she was its only asset. InSmith made her only film appearance, starring in a two-reelerSt. Source Bluesbased on W. Handy 's song of the same name. Johnson and a string section—a musical environment radically different from that of any of her recordings.
InJohn Hammondwho also http://hookupsguide.info/free-dating-chat/63706370h-dating-63706370a.php Billie Holidayasked Smith to record four sides for Okeh which had been acquired by Columbia Records in He claimed to have found her in semi-obscurity, working as a hostess in a speakeasy on Ridge Avenue in Philadelphia.
Inwhen she made the Okeh sides, she was still touring. Hammond was known for his selective memory and gratuitous embellishments. Made on November 24,they serve as a hint of the transformation she made in her performances as she shifted link blues artistry into something that fit the swing era.
The relatively modern accompaniment is notable. The band included such swing era musicians as the trombonist Jack Teagardenthe trumpeter Frankie Newtonthe tenor saxophonist Chu Berrythe pianist Buck Washington, the guitarist Bobby Johnson, and the bassist Billy Taylor.
Benny Goodmanwho happened to be recording with Ethel Waters in the adjoining studio, dropped by and is barely audible on Black Dude Dating White Memorial Jobs selection. Hammond was not entirely pleased with the results, preferring to have Smith revisit her old blues sound.
On September 26,Smith was critically injured in a car crash while traveling along U. Route 61 between Memphis, Tennesseeand Clarksdale, Mississippi. Her lover, Richard Morgan, was driving and misjudged the speed of a slow-moving truck ahead of him. Tire marks at the scene suggested just click for source Morgan tried to avoid the truck by driving around its left side, but he hit the rear of the truck side-on at high speed.
The tailgate of the truck sheared off the wooden roof of Smith's old Packard. Smith, who was in the passenger seat, probably with her right Black Dude Dating White Memorial Jobs or elbow out the window, took the full brunt of the impact. Morgan escaped without injuries. The first people on the scene were a Memphis surgeon, Dr. Hugh Smith no relation. In the early s, Hugh Smith gave a detailed account of his experience to Bessie's biographer Chris Albertson.
This is the most reliable eyewitness testimony about the events surrounding her death.
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After stopping at the accident scene, Hugh Smith examined the singer, who was lying in the middle of the road with obviously severe injuries. He estimated she had lost about a half pint of blood and immediately noted a major traumatic injury to her right arm; it had been almost completely severed at the elbow.
Although the light was poor, he observed only minor head injuries. He attributed her death to extensive and severe crush injuries to the entire right side of her body, consistent with a sideswipe collision. Henry Broughton a fishing partner of Smith's and Black Dude Dating White Memorial Jobs moved the singer to the shoulder of the road.
Smith dressed her arm injury with a clean handkerchief and asked Broughton to go to a house about feet off the road to call an ambulance. By the time Broughton returned, about 25 minutes later, Bessie Smith was in shock. Time passed with no sign of the ambulance, so Hugh Smith suggested that they take her into Clarksdale in his car. He and Broughton had almost finished clearing the back seat when they heard the sound of a car approaching at high speed.
Smith flashed his lights in warning, but the oncoming car failed to stop and plowed into his car at full speed. It this web page his car careening into Bessie Smith's overturned Packard, completely wrecking it.
The oncoming car ricocheted off Hugh Smith's car into the ditch on the right, barely missing Broughton and Bessie Smith.
The young couple in the new car did not have life-threatening injuries. Two ambulances arrived on the scene from Clarksdale, one from the black hospital, summoned by Broughton, the other from the white hospital, acting on a report from the truck driver, who had not seen the accident victims.
Bessie Smith was taken to the G. Thomas Afro-American Hospital in Clarksdale, where her right arm was amputated. She died that morning without regaining consciousness. After her death, an often repeated but now discredited story emerged that she had died as a result of having been refused admission to a whites-only hospital in Clarksdale. The jazz writer and producer John Hammond gave this account in an article in the November issue of Down Beat magazine. Smith's funeral was held in Philadelphia a little over a week later, on October 4, Her body was originally laid out at Upshur's funeral home.
As word of her death spread through Philadelphia's black community, the body had to be moved to the O. Catto Go here Lodge to accommodate the estimated 10, mourners who filed past her coffin on Sunday, October 3.
Smith's grave was unmarked until a tombstone was erected on August 7,paid for by the singer Janis Joplin and Juanita Green, who as a child had done housework for Smith. Three recordings by Smith were inducted into the Grammy Hall of Famean award established in to honor recordings that are at least 25 years old and that have "qualitative or historical significance".
The only thing that beats that is the idea of becoming a father. Library resources about Bessie Smith. Over 10 million stories shared.
It is in the Rock and Roll Hall of Fame as one of the songs that shaped rock 'n' roll. Postal Service issued a cent commemorative postage stamp honoring Smith in Technical faults in the majority of her original gramophone recordings especially variations in recording speed, which raised or lowered the apparent pitch of her voice misrepresented the "light and shade" of her phrasing, interpretation and delivery.
They altered the apparent key of her performances sometimes raised or lowered by as much as a semitone. The "centre hole" in some of the master recordings had not been in the true middle of the master disc, so that there were wide variations in tone, pitch, key and phrasing, as commercially released records revolved around the spindle.
Given those historic limitations, the current digitally remastered versions of her work deliver significant improvements in the sound quality of Smith's performances. Some critics believe that the American Columbia Records compact disc releases are somewhat inferior to subsequent transfers made by the late John R. Davies for Frog Records. From Wikipedia, the free encyclopedia. Black Popular Songwriters, —