Popa Chubby at Chicago Blues, N.Y. 2000 Part 3
Popa Chubby:Booty And The Beast (1995)
It's Christmas time, there's no need to be afraid. At Christmas time, we let in light and we banish shade. And in our world of plenty we can spread a smile of joy. Throw your arms around the world at Christmas time. But say a prayer. Pray for the other ones. At Christmas time it's hard. But when you're having fun. There's a . Theodore Joseph "Ted" Horowitz who plays under the stage name of Popa Chubby is an American Rock / Electric blues cantor, compositor, and guitarist. Contents. [hide]. 1 Life and career; 2 Discography; 3 DVDs; 4 References; 5 External links. Life and career. Popa Chubby live at Leverkusener Jazztage At age. Palace of the King, Lookin' Back, Healing in Her Hands, Sweet Goddess of Love and Beer, Stoop.
Connect your Spotify account to your Last. A new version of Last. Popa Chubby Theodore Joseph Horowitz, born March in New York is a New York blues singer and guitar player. His angry and aggressive style of blues is influenced heavily by Willie Dixon.
Like Jerry Lewis, he is more popular in France than the U. Popa Chubby is a true native son of the Big Apple. His parents owned a candy store on the corner of st Street and Arthur Avenue.
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At the tender age of 8 he picked up the drums and became Popa Chubby Wikipedia Deutsch Languages Of The World in playing "Wipeout" much to the dismay of his mother and neighbors. Popa would spend hours scratching them up by playing the sections he liked over and over again. When he was seven, his father took him to see an oldies show at Madison Square Garden.
Up close to the stage he watched the headliner duck walk across the stage playing his Gibson like a ringin' a bell!! Chuck Berry became Popa's idol. The untimely death of his father when he was nine left Ted living with his old-school Italian grandparents.
His love affair with the drums was put on indefinite hold. The 70's came and Popa began to hear the blues rock that was everywhere. Johnny WinterFoghatLed Zeppelin and the Rolling Stones were on the radio and in the record stores and Popa, being a loner, found solace in listening to these records over and over on a beat up link player bought at a yard sale for a dollar.
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At age fourteen he picked up his first guitar and never put it down. His fingers bled from trying to pick out the blues licks he heard second hand from the rockers who played them. In the late 70's Punk Rock hit the scene, and Popa answered a classified ad in the Village Voice for a guitarist.
There he met Punk Rock godfather, Richard Hellwho was putting together a new version of his band the Voidoids.
Popa was hired for a world tour. All the while Popa was honing his licks via the records of Albert KingB. King and especially Freddie King. I was 19 and this older cat in the neighborhood played me the Just Pickin' record and I was knocked out cold. With the 's upon him, Popa played any and all styles of music he could, the education helping him to survive as a working musician.
Chubby was hired for a world tour and asked to contribute his blues-inflected guitar playing to Pierce's album The Sky and The Ground. Popa worked with Pierce throughout the late 80's, all the while itching to play the blues he loved.
In the Popa Chubby Band was born. The core of my music is about excitement. I think music should make people feel alive. Before long he was playing every club in New York. Popa landed the coveted spot as house band at the now defunct Manny's Car Wash.
There he got to back up and open for many of the great link who came through town. The combined experiences of backing a variety of artists helped shape his vision of what he now calls "New York City Blues.
He beat out a score of bands to bring the title to New York City and was rewarded with an opening spot at the Long Beach Blues Festival.
Popa soon started touring regionally and released two independent records on his own label.
Retrieved 29 December Select single in the field By Format. From the album Gracereleased in Bono's version, which is mostly spoken, was included in Tower of Songan all-star tribute to Link in Popa writes from life and from the first track hits a home run with the talking slide blues of "Slide Devil Man Slide".
Booty and The Beast was released inand the single, "Sweet Goddess Of Love and Beer," soon was sweeping the country and became a summer radio hit coast to coast in Creative differences left Popa a free agent inso he began releasing albums on his own label.
On the advice of Dowd he went to Europe, where his first two CDs were released as a collection by the French Dixiefrog label. The record was an instant success and left Popa touring nonstop. The energy and showmanship of his sets earned him critical and commercial acclaim overseas, and in fact, he's become a huge star in Europe, where he appears on the covers of guitar magazines and routinely sells out major venues.
The innovative performer and producer went on to do a number of other projects for Dixiefrog, his own albums and others by Big Apple artists recorded under the aegis of Popa Chubby Productions.
In the process, he spearheaded a New York City sub-genre of blues. Popa Chubby's music, forged in the toughness that is New York City, takes blues to the cutting edge, where it highfives its contemporary cousins rock, rap, and hip hop. With his razor sharp, biting guitar, vocals from the gut, and top-notch skill as a songwriter, Popa Chubby artfully combines the rootsiness of blues with the more modern urban elements of today's popular music.
Looking for a domestic label that would understand his unique approach to the blues, Popa brought the album to Blind Pig Records, which released this seminal blues-rock concept record in August of There isn't a bad song on it.
The 13 songs on this record represent a journey through the real life blues of Popa Chubby. Popa writes from life and from the first track hits a home run with see more talking slide blues of "Slide Devil Man Slide".
The tone is set and the journey unfolds. Sonically, this record is the most textural to date with lots of slide and acoustic guitar, mandolin, Sitar, and a heavy dose of hard blues rock lead guitar. The urbane rap tome of "Smugglers Game" has Middle Eastern flavors and ejects the listener to exotic border crossings. The heart-rending dirge of "Preacher Man" bemoans the trials of the entrusted.
The Western saga "Young Guns" sets the stage for a shootout between new and old- because if you want to take the devil's guitar, you got to steal it!
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Seeing Edgar Winter is always a pleasure. It's one of the most beautiful pieces of recorded music I've ever heard. Home Other Interviews Click Here. Rufus Wainwright "Hallelujah" cover excerpt Rufus Wainwright recorded a version similar to Cale's, also on piano.
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